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(More customer reviews)I read another review on here complaining about the "sticky buttons" on the Audio Source EQ 200. After reading another review saying their unit worked fine with no button problems, I decided to take a chance, hoping that the other reviewer's button problem was an isolated incident. Wishful thinking. I've had the EQ 200 for about a week and the same problem showed up on mine. I was listening to an old album on my turntable when one of the stereo channels just cut out. At first I thought it might be a loose cable, or worse, a problem with the cartridge on my turntable. Then I remembered the review about the "sticky buttons." Sure enough, I went to the EQ and jiggled the buttons, and the sound cut in and out as I did so. After jiggling them a few times the problem went away for a while, then it out of nowhere started acting up again. It's not so much that they "stick," as it is that they just plain don't work properly. The have a "cheap" feel to them; all the switches appear to be mounted to a single flimsy bracket. When you press one switch you can see the adjacent ones move. Besides the fact they don't work, they are confusing and limited the way they are formatted. They don't let you monitor the tape deck's output when recording; something that should be a standard feature of an EQ. The buttons on my old Radio Shack/Optimus EQ made a lot more sense in how they operated for dubbing/monitoring. There are a couple other annoyances on the Audio Source, too. The analyzer display has no sensitivity adjustment; when I play my CD player, the display is just maxed out. You can adjust the display by turning down the input level knobs, but I only want to turn down the display, NOT the volume! The "0" line on the EQ should be a different color for easily identifying the relative position of the sliders, but it is simply white like all the lines, which makes it difficult to easily identify the center line. If I were keeping the unit, I would take care of this problem with a magic marker. There are also no scale markings on the input level control knobs, leaving you to guess as to when you have the left and right balanced. The sound quality seems decent when it works, but what good is a stereo component if the sound cuts out while you're listening to your music? The illuminated sliders and spectrum analyzer look neat, but hey, I don't buy a stereo component just for looks. Seeing as other people have complained of the same button issue, I'm sure Audio Source has to be aware of the problem. Obviously, they are not going to invest the resources to correct the problem on something as obsolete as a graphic equalizer. It's too bad, since this model seems to be pretty much the only EQ left on the market for a home stereo. The only other EQ I found other than professional models for rack-mount systems, was a TEAC model which doesn't have as many inputs as the Audio Source. I am returning the Audio Source for a full refund; no sense having them send me another one when undoubtedly it will have the same defect. I guess I will try my luck with the TEAC, either that or put up with the muddy sound my stereo has without an EQ. I will just have to do the old cable swapping routine if I want to do any dubbing with the TEAC.
Click Here to see more reviews about: AudioSource EQ200 10-Band Stereo Graphic Equalizer
Enjoy precise audio control over your home stereo system with the AudioSource EQ200 10-band graphic equalizer. The device boasts 20 bands of frequency adjustments (10 for each channel) to improve the performance of everything from classic LPs to modern CDs and MP3s. Each EQ slider is positioned one octave apart from the others--from 39 Hz to 16 kHz--to correspond with the entire range of human hearing. To adjust the vocal or instrumental balance of a favorite song, merely move the matching sliders up or down (each features 12 dB of boost or cut) until the right level is reached. Identification is simple thanks to the illuminated LEDs (one for each slider). Plus, the device offers a multicolor spectrum analyzer, which interprets the signal levels of the sliders and displays them onscreen. The analyzer not only helps you monitor the audio output, but it also looks ultra-cool when the lights are low.
The EQ200 features two A/V inputs that offer the ability to control traditional audio sources, such as a CD player or turntable, along with the audio channels of video sources like VCRs or DVD players. To select an audio source, the listener merely presses the A/V button to the "in" position, while leaving it "out" controls the video source. Note that the EQ200 only affects the audio of DVD players or satellite systems. It has no impact on the picture, nor does it include any video-type connections. Users can also connect two cassette decks to the unit through the dedicated Tape 1 and Tape 2 inputs and outputs.
The EQ200 plugs into your stereo through your receiver's Tape Monitor Loop input. As such, it offers a number of functions specifically designed for connected cassette decks, including a Tape 1-2/Tape 2-1 button that assists you when making tape copies with one deck or dubbing between a pair of tape decks. Listeners don't have to forfeit the traditional recording functions of their cassette decks, either, as the EQ200's tape outputs facilitate recording from the radio, CD, or other sources. Other functions include EQ record, which lets you make a tape copy using a customized equalization curve, and the non-cassette-specific EQ bypass, which allows the user to make comparisons between "equalized" and unequalized" sounds.
So of the missing piece to your audio puzzle is the ability to fine-tune your music to meet your demanding tastes, the EQ200 may be a good fit for your system. The device measures 16.56 by 3.5 by 11.88 inches (W x H x D) and is covered by a two-year warranty.
What's in the Box EQ200 graphic equalizer, two 34-inch stereo RCA cables, warranty/registration sheet, user's manual.
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